Chinese calligraphy is an ancient and unique art. From oracle bones and gold texts to Daxu, Xiaoyan, Lishu, to cursive scripts, scriptures, and scripts in the Eastern Han Dynasty, Wei and Jin, they are not poetic but poetic charms; they are not paintings and paintings; they are not dances. There is a graceful dance; it always exudes the charm of art. Calligraphy art has a long history and reflects the spirit of the times with different styles. Browse the calligraphy of the past dynasties, "Jin people are still rhyme, Tang people still law, Song people still intend, Yuan, Ming Shang state." Pursuing the trajectory of the development of calligraphy for three thousand years, we clearly see that it is in sync with the development of Chinese society and strongly reflects the spiritual outlook of each era. Calligraphy art is a unique treasure in the world and a splendid flower of Chinese culture. It exemplifies the beauty of oriental art and the excellence of oriental culture. It is an artistic treasure that our nation will always be proud of. It has a profound mass base and artistic characteristics that are unparalleled in any art in the world. Jade carving is also a traditional Chinese technique. It is one of the oldest sculptures in China and has a long history of more than 7,000 years of continuous development. At the same time, jade carving is also a concrete manifestation of Chinese jade culture. Jade carvings of different eras are branded with different eras. They have been developed into a development context since ancient times. Through it, we can also feel the unique and colorful cultural information of China. Since the beginning of civilization, to date, the Chinese jade has undergone various changes, and under the careful craftsmanship of countless skilled craftsmen, it has developed into an artistic treasure with profound cultural heritage and distinctive national characteristics. The national sentiments of Chinese Chongyu and Aiyu are deeply rooted, and jade has been deeply integrated into Chinese traditional culture and ritual customs. Jade carving art is one of the most fascinating Chinese traditional handicrafts and a precious heritage in the treasure house of Chinese national culture. Chinese jade carvings are unique in the world of jade craftsmanship, shining with brilliance. Jade carvings and calligraphy, as the most traditional symbols of Chinese traditional culture and art development in the past 5,000 years, their rhythm and inspiration are consistent, are the crystallization of the aesthetics and art of the descendants of Huaxia. Yurun has a thousand years of calligraphy and calligraphy has been extended for thousands of years. When the traditional Chinese calligraphy conception is combined with Wenrun jade, you can pursue the common interest and the source of the gods of Chinese things. First, the origin of jade carving and calligraphy Art is a combination of learning and learning from each other. In the long river of jade culture for thousands of years, when lettering on jade began, it is still difficult to have a definitive test, but when to start carving calligraphy and calligraphy on jade, it should be the Jiajing Wanli period of the Ming Dynasty. During the Wanli Period, Lu Zigang, who is known as "Wu Zhongyi" and "One Generation Master", created a jade brand with rich artistic features - Zigang Brand. He boldly expressed poetry, books, paintings and seals in jade. On the first, the first generation of jade carving art is the first of its kind, which has had a profound impact on later generations. Since the beginning of Zigang, calligraphy has appeared more and more on jade, and has gradually developed into a unique jade carving culture. In the Ming Dynasty, the calligraphy text only appeared on the back of the jade card, with more words or simple poems. This calligraphy jade carving culture reached its climax in the Qing Dynasty. Many jade articles of the Qing Emperor Qianlong period were engraved with poems and poems and other inscriptions of Qianlong Yu pen, and became a unique jade text decoration culture of that era. In the creation of Hetian jade calligraphy, it draws on the ancient Qin and Han Dynasties and poetry and Qu Fu. At that time, there were many auspicious inscriptions on the Wadang, such as Changle Weiyang, Changsheng Promise, Longevity, Longevity, Longevity, Yongshou Wujiang, Tianlu Yongchang and other words with auspicious meaning. The jade carving directly borrows this inscription from the jade stone and engraves it through different calligraphy forms such as the script, the lishu, the script, and the oracle bone. For poetry and songs, it is even more handy. Carving calligraphy characters on jade, or Founder ancients, or in the middle of a good time, or generous grace, although the forms are different, but can fully express the profound cultural connotation of Hetian Guoyu. Compared with the various patterns and patterns in the jade carving, the text can express the intention of the jade creator, because the text itself is the most direct and concentrated way of expressing wishes and blessings. It can be said that the appearance of calligraphy on jade is a major course in the development of the jade carving industry. Second, the creation of jade carving and calligraphy The beauty of calligraphy lies in motion rather than in silence. Its beauty is ever-changing and it is a dynamic beauty. Can't imitate, can't be changed, because any changes will bring discord. The same is true for jade carving. The deviation of the carving knife is divided into a whole, and there will be huge differences in the whole. Lettering on jade is like writing on jade, and the pen is not unexpected. Whether it is ancient jade carvings or contemporary jade carvings, jade seals and jade cards, these two categories are not bad in the market, which has a great relationship with the calligraphy on jade carving to improve the beauty and artistic sense of jade carving works. In the ancient jade carvings, the emperor's seals have repeatedly created a high price. In addition to the uniqueness and scarcity of the jade, the artistic value of the calligraphy itself can certainly not be ignored. A successful jade brand, in addition to paying attention to jade materials, also pay attention to composition design, spatial layout, overall shape, and the pursuit of the expression of light and shadow texture, as if to use a knife to write straight on the book. The carving should be dense and orderly, pay attention to the level, seemingly simple, but it should use a variety of carving methods combining deep relief, medium relief and bas-relief. The creation of the card is a test of the overall quality of a jade carving master. It needs to blend painting, calligraphy, and sculpture together, and also consider the shape and texture of jade itself. It is not so easy to create a great piece of art between squares. Third, the craft of jade carving and calligraphy Calligraphy and writing, the structure of strokes, represents the most abstract principles of rhythm and structure. Appreciating calligraphy is to ignore the meaning of words and appreciate the structure of lines and strokes. Although the theoretical Chinese characters are square, they are actually the most peculiar strokes. Through the calligraphy, the jade carving master trained the appreciation of various beauty, such as the rigidity, smoothness, elegance, majesty, subtle, subtle, quick, rough, ancient and so on. Formal harmony, symmetry, contrast, balance, length, tightness, and sometimes even lazy or uneven beauty provide a whole set of appreciation terms. Real jade carving artists will pay attention to these terms. Because the concept they represent is the basis of the Chinese nation's aesthetic concept, and it is also the term we use to judge a jade beauty. Calligraphy, as a beautiful art, is naturally very picky. Only when combined with a handful of outstanding cultures can we achieve great beauty. As those calligraphy people say: In Chinese culture, the beauty of calligraphy presents the beauty and the line of people, the popular thing of the gas, and the flow of the line into words. Chinese art, literature, painting, music, and architecture all contain the meaning of lines. The paper is white, the words are black, and the yin and the yang. Paper white is no, words are black, there is no difference, paper white is virtual, words are black, real and false. The gas of the universe flows. The great calligraphy of the universe, the small universe of calligraphy. In other words, calligraphy can create a unique spatial structure. In the jade carving world, the most innocent white jade that everyone likes is just like a special kind of white paper, which can be used to scribe pictures and write calligraphy. The excellent jade carving master can make the flow of calligraphy line like the air between heaven and earth, and succinctly and sleekly on the white jade, and break through the pattern of the sinister Chinese characters for thousands of years. It highlights the three-dimensionality of Chinese characters and makes the charm of calligraphy more intense. The traditional Chinese nation is born with a traditional aesthetic that is quietly and internally examined. They pursue a realm of human beings who are involved in nature. This traditional satisfaction of Lotte is fundamentally different from the pursuit of modern human self-transcendence. The calligraphy on the jade carving can reflect this very well. In terms of expression and expression methods, the lettering jade is basically based on the structure of Chinese characters as an obvious morphological feature, in order to put individuality in the ink and the rhyme. On the one hand, it advocates the pursuit of book and China, and on the other hand, it pursues the characteristics of strong gold and stone. . It fits the realm of the integration of the Chinese nation and man. Only when calligraphy and jade are perfectly blended together, the elegance of oriental aesthetics is displayed in one stroke, and when the facts are floating, the calligraphy jade carving truly has life and charm. Conclusion: We can all feel the charm of jade carving calligraphy art. It can be said that Yurun has a thousand years of calligraphy and calligraphy has been for thousands of years. When Chinese calligraphy is combined with Wentian's Hetian jade, a flower of meditation and beauty is blooming. In the modern jade carving creation, the jade carving master uses the calligraphy text on the jade carving more abundantly, not only using inscriptions, poems, songs, but also scriptures, Sanskrit, and even homemade poems and short sentences. However, regardless of the text of the engraving, the combination of graphic and text is still artistic, interesting and harmonious. Commonly, the front side adopts the technique of yang carving to sculpt the landscape, flowers, birds, figures, and beasts, while the reverse uses the method of carving the poems, calligraphy, seals, etc., which has become the classic style of the jade card. Calligraphy is an important part of Chinese ancient art creation, which reflects the people-oriented spirit, temperament, knowledge and cultivation. I hope that through this article, I would like to appeal to the public to pay attention to Chinese calligraphy and Chinese art. I hope that young people can also use calligraphy as part of their artistic accomplishment. Jade carving and calligraphy are the representatives of Chinese traditional culture. I also want to combine Chinese art elements with modern fashion through my own efforts, and bring Chinese jade carving culture to the national stage and to the top stage of the world. Linen cotton slub fabric is a type of fabric that is made from a blend
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The past and present of jade carving and calligraphy